Building abodes of horror with Wollstonecraft

 

Abodes of horror have frequently been described, and castles, filled with spectres and chimeras, conjured up by the magic spell of genius to harrow the soul, and absorb the wondering mind. But, formed of such stuff as dreams are made of, what were they to the mansion of despair, in one corner of which Maria sat, endeavouring to recall her scattered thoughts!

Surprise, astonishment, that bordered on distraction, seemed to have suspended her faculties, till, waking by degrees to a keen sense of anguish, a whirlwind of rage and indignation roused her torpid pulse. One recollection with frightful velocity following another, threatened to fire her brain, and make her a fit companion for the terrific inhabitants, whose groans and shrieks were no unsubstantial sounds of whistling winds, or startled birds, modulated by a romantic fancy, which amuse while they affright; but such tones of misery as carry a dreadful certainty directly to the heart. What effect must they then have produced on one, true to the touch of sympathy, and tortured by maternal apprehension!

 

Mary Wollstonecraft

MARIA or The Wrongs of Woman | After the edition of 1798

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visual poetic prompt

'She Never Told Her Love' by Henry Peach Robinson 1857, courtesy of Gilman Collection, Purchase, Jennifer and Joseph Duke Gift, 2005 via The Met